Life and the Big Screen
Media, Design, and the Apocalypse
Core77, June 2008

For weeks, Iron Man has had the design world convulsing with what can only be called a grand maul geek-out. The lead character, Tony Stark, represents the tech-happy dad in all of us. A billionaire industrialist/master engineer, he builds a powered exoskeleton and becomes the technologically advanced superhero and all-around bad-ass, Iron Man. The cars, the girls, the computers: he's like Inspector Gadget in a mid-life crisis.
But the future hasn't always been so pretty. Let's rewind, way back, to 1996, when high-tech gadgetry wasn't a blessing, but a curse, when the blue glow of Stark's mechanical heart heralded nothing less than the end of the world. I'm talking about Independence Day.
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